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Friday, 8 March 2019

Antoni Gaudi – Essay

Antoni Gaudi One of Spains most internationally recognised architects, Antonio Gaudi has left his mark throughout Barcelona and Catalonia. His whimsical vision and inventive designs have brought a bit of magic to this historic region. Gaudi? s completion of traditional elements with fanciful ornamentation and brilliant technical solutions paved the man mountment for future architects to step outside the box. Born in Reus, Catalonia in 1852, Gaudi was the early in over four generations to leave the family tradition of metal working.As a child, Antonio never excelled in school. He suffered from arthritis, which kept his attendance low, and like to spend his time observing plants and animals, as advant long timeously as poring over forms in nature, which would eventually be so prominent in his designs. It was withal during his early years studying with the Escolapius Fathers that Gaudi recognized the value of the divine chronicle of the salvation of man through Christ incarnate , given to the world by the Virgin Mary. He later incorporated such beliefs into his greatest work, The Sagrada Familia. round 1870 Gaudi moved to Barcelona to study architecture at the Provincial School of interior designerure. His grades were again less than superior. However, the young student did earn special recognition in the areas of Trial Drawings and Projects, which allowed him to put his outlandish ideas to use. His professor proclaimed that what had been produced in these two courses was either the work of an insane man or a genius. In 1878 Antoni Gaudi was one of only four students to be granted the title of Architect by the school? s director.At a time of ethnical and political renaissance in Europe, Gaudi looked to legion(predicate) sources of inspiration for his work. Medieval books, knightly art, Oriental structures, the Art Nouveau movement, and, of course, the glory of nature, strongly influenced his designs. His deep love of music, as well as his interest in writers such as deception Ruskin, who said that ornament is the origin of architecture, also played a bankroll in the development of Gaudi? s unmistakable style. After graduating, Gaudi found allay in the flourishing city life of turn-of-the century Barcelona.Numerous doors were exposed for him among the bourgeoisie, artists, and intellectuals of the time. The young architect had a reputation for dressing in the in style(p) fashion, and surrounding himself by high society. However, Gaudi never forgot his working-class roots. His first major(ip) project as a professional architect was workers? housing in a factory, the Coopertiva Mataronese, which was intended to improve the workers? quality of life. Gaudi presented his design at the capital of France World Fair in 1878.It was there that he met Eusebi Guell, the man who would decease one of the artists closest friends and most loyal patrons. In the following years, with rapidly growing interest in his work, Gaudi took on many important projects. Among them was the house built for the wealthy ceramic manufacturer, Manuel Vicens, as well as El Capricho, a villa for the brother-in-law of the Marquee of Comillas. Soon after, Gaudi began designing a palace for his good friend Guell (Palau Guell), and then later the two collaborated on Park Guell, which was intended to be a garden city.Gaudi, however, is most recognized for his work on La Sagrada Familia, a twentieth century duomo in Barcelona. Gaudi took over the project in 1884 after a departure between a member of the Temple Council and the original project manager, Fracisco de Paula del Villar (Gaudis former professor), over materials. Antonio Gaudi was a mere 31 years of age when he officially gained control over the building. The architect devoted the nigh forty-two years of his life to its construction, until his sudden death at age 74 in 1926.

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