Hamlet: to Be, or Not to Be: Movie Analysis Essay

Branaghs vision of William Shakespe atomic number 18s famous To be, or non to be, soliloquy manifests Hamlets displeasure with himself as he debates everlasting(a) stay the set up of this scene contri plainlyes significantly to the emotional jar and symbolism. The lack of music and sound in the beginning forces the audiences attention towards the soliloquy. The quietness in the scene also exhibits how Hamlet is wish for a quiet death, suicide. Walking slowly towards the two-way reflect, while he professes his conflicted feelings, the camera follows steadily over his shoulder, only filming Hamlets reflection. The soliloquy stands alone as a reflection, Hamlet is reflecting on his conduct and the options he has, To die, to sleep / No more and by a sleep to say we end (3.1 68-69). The mirror reflection stands as a emblematic example of Hamlets self reflection and his search to attend the answer within himself.Hamlet criticizes himself while staring deeply at his own reflectio n in mirror, even though he is advised of Claudius malicious acts. Blaming himself for not taking action yet, Thus conscience does contrive cowards (3.1 91), and focusing on his faults he is making himself to be the villain and tormenting himself. The admittedly reason for his misery is Claudius actions, and Claudius, the one behind it all- metaphorically and physically- stands behind the mirror as Hamlet criticizes himself. Branaghs tone of voice and body expression exert emotions in the scene making Hamlets authorized feelings apparent.Half way through the soliloquy, suspenseful classical music begins to play, adding vividness to Hamlets dark description of the unnecessary burden of life and his ambiguous intellectual to why a person would endure such suffering, For who would bear the whips and scorns of time, / Th oppressors wrong, the proud mans contumely, (3.1 78-79). There are hardly a(prenominal) actions Hamlet makes in the scene but the movements he does make are sig nificant. Calmly stating, Or to take arms against a sea of troubles / And, by opposing, end them, (3.1 67-68) as he raises a clenched fist in the air, illustrating his anger toward Claudius and passion to seek revenge is portrayed through the small, but powerful hand gestures. It is indubitable that Branaghs version of this scene captures two the emotions and themes of Hamlet and his tortured character.