The Right's of Women

However, when she begins her letter, she admits she is not sure if such a goal is possible through words, "The attempt whitethorn come to nothing, for who is able to go steady himself or the other(a)?" (El Saadawi 59).

despite this implication by El Saadawi, that complete human understand of the self or the other is possible in lightness of human limitations, Saadawi attempts to sh are her inner closely feelings with her high-priced. The two take aim never before used the word "love" in their relationship. However, the writer does so now. The writer maintains that the creation which she has known and the world in which she lives is one that has been devoted solely to the pleasure of men, " behavior in our world is made for men and nothing in it can amuse a woman other than that expression of amusement which neither amuses nor gratifies me and which only shows life in its nefariousness and man in his baseness" (El Saadawi 60).

The above implication is that women are often second-class citizens in comparison to men in El Saadawi's culture. Sexual activity is solely for the purpose of pleasuring the male, and it quite often brings out the worst in him. In an question in which she discusses the horrific practice of female genital mutilation (FGM), El Saadawi expresses her views that control over sexual reproduction and women in common encompasses economic control, "Patriarchy itself is an expression of socio-econo

El Saadawi's effort to empower women to express their natural individualism includes her admission that she is not always the cold, strong woman her beloved perceives her as existence. Instead, she admits she has human frailty and merely wants to be view for who she is indep finish upent of male restrictions, "Sometimes I feel as lost as a tiny speck in the grip of a wild surge or in the grasp of some vast creature" (El Saadawi 61). Likewise, because she must domiciliate an oppressive environment, she admits that most of her genuine living occurs in dreams, "?most of the time I live in my dreams" (El Saadawi 61). At the end of the letter, the author holds out hope that by open colloquy women and men can learn to respect each other on equal terms, "Can you now understand me a lesser?

And do I understand you a little? I hope so. It must be so!" (El Saadawi 64). El Saadawi is not lending higher qualities to women or men, she is merely pouring out her genuine feelings and emotions in the hope of promoting greater intellectual that will lead to greater freedom and empowerment for women.

In Bessie Head's The Collector of Treasures, we see a society that also relegates women to an subscript status compared to men. We also see a society that is undergoing convert and the tensions that such changes promote in gender relations and family in such cultures. By telling the stories of such people, Head is attempting to prey their struggles toward greater understanding a voice. However, Head's description of Dikeledi and her husband Garesego stands in stark contrast to El Saadawi's letter of love. If El Saadawi is laborious to champion women's empowerment and women's rights through greater understanding and deeper interconnection, Head's tale posits the notion that the only reaction possible to empower women in a violent and abusive environment dominated by men is one of violence and abuse. Garesego is incapable of ever being anything to Dikeledi than a destructive anchor around her s
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