ON THE ACTUARIAL GAZE From 9/11 to Abu Ghraib
Since the outset Gulf War, we have witnessed a global repositioning of the ocular communication practices, utilities and techniques of the state and media as regards political mobilization, individuality formation, geographic perception, political violence, urban planning, public safety and world rights. The circulation, of anthropologically black images of violence, terror, covert infection and social suffering has intensified in our public culture. Examining perceptual systems of global risk, this essay asks: what is the optical coordinate of the historical catastrophe as mediatic event? How do optic cultures and technologies of risk and threat perception stratify sensory see? How do visual cultures of risk affect how perpetuators and victims of violence and man rights violations depict their political experience as historical faithfulness? Keywords visual culture; political violence; Abu Ghraib; catastrophe; esthetics; risk
Thus does the daily accident itself, with which our newspapers are filled, appears nearly all as a catastrophe of a technological type. (Junger 1993, p. 31) speckle disciplinary power isolates and closes off territories, measures of security lead to an inauguration and globalization; while the law wants to prevent and prescribe.
In a word, discipline wants to produce place, while security wants to guide disorder. (Agamben 2002, p. 1)
Introduction
Since the firstborn Gulf War, we have witnessed a global repositioning of the visual communication practices, utilities and techniques of the American state and media as regards political mobilization, identity formation, geographic perception, political violence, urban planning, public safety and human rights.
Cultural Studies Vol. 19, No. 2 March 2005, pp. 203 Ã/226 ISSN 0950-2386 print/ISSN 1466-4348 online 2005 Taylor & Francis pigeonholing Ltd http://www.tandf.co.uk/journals DOI: 10.1080/09502380500077763
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