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Tuesday, 26 March 2013

Barbarians

The border Barbarian is Hellenic in origin. The classics originally levied it at any races who
were not of a Greek origin; specially those who threatened Greek civilization and culture.

Because roughly of these strangers regularly assaulted Greek cities, the term crank

gradually evolved into a rude term: a person who was a sub- sympathetic, uncivilized, and

regularly practiced the most vile and inhuman acts imaginable. It is obvious that a

barbarian has not been considered as a member of society as well as a woman in Ancient

Greece. In many Greek tragedies that we have read women either play a lowly role or

absent at all. That is why it is so out-of-the-way to read a tragedy where woman is a main

eccentric and not only that - a woman is a foreigner, a barbarian.

Euripides, however, was the first one who created the play where he opposed a

barbarian to someone civilized; he has his Medea confront Jason.

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The civilized Jason is

more(prenominal) barbaric in his emotional callousness than the barbarian Medea, notwithstanding by the end of the

The Nurse calls Medea a strange woman. She is anything further typical.

Euripides admits from the outset that this is a bizarre tale of an exceptional human being.

Lest she may sharpen a sword an thrust to the heart,

take into the palace where the bed is made,

Or even kill the great power and the new-wedded groom,

And thus bring a greater misfortune on herself.

Two great pains tear Medea: the subversiveness of Jason and her betrayal of her country and

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