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Friday 15 March 2013

How Do Two Different Poems Explore the Key Issue of Loss/Death?

In this essay I will be analyze two poems, Hitcher by Simon Armitage and Conscientious Objector by Edna St. Vincent Millay, on how they explore wipeout and loss.
Hitcher is a poem about a man who picks up a hitch-hiker and either kills/badly injures him whilst driving the car and the cobblers last/injury has no effect on him what so ever. Conscientious Objector is a very strong meaningful poem showing psyche/something standing up to finale, a conscientious objector is person who is against war, violence and the military, the verbalizer in this poem is a conscientious objector.
The subjects of both of these poems are the same; demise and loss still they portray dying and loss as very varied things, in the conscientious objector wipeout is personified who has many duties to carry out. In hitcher death is something that has happened, like we would normally think what death is.
The movement of both of the poems is very different, in the conscientious objector death is introduced, and throughout the poem the speaker of the poem (a stable-boy perhaps) is saying all the things he does and how he refuses to jock death, this shows that he could be a conscientious objector.

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In hitcher death is very different, the poem starts of quite normally as a fairly normal day, until in stanza 3 where the poem has a complete change of movement and feeling as we film that driver kills the hitch-hiker and then continues his day as usual.
The main and most(prenominal) important piece of foreseery in the conscientious objector in exploring death/loss is that death is personified as a person I shall die, but that is all that I shall do for Death I him him leading... we know that death is a person because the d in death has been capitalised so it must be a name. Also the image that death is riding a horse I judge him leading his horse out of the stall this relates to the bible where in the book of revelations death is riding a horse and is followed by hell.
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